The input trim can also be used to prevent clipping in the rare cases where clipping may be a problem. This can be useful on material that is hitting close to or at digital zero. The PHOENIX suite contains five separate plug-ins: When the input trim is at 0dB, (no change in gain) and no tape process is being added to the sound, the plug-in is bit accurate, meaning the output exactly matches the input. * Luminescent is the most neutral sounding process of the five.
* Iridescent has a similar magnetic character, but with a fatter bottom and midrange. Increasing the apparent loudness of the rest of thesignal.) Range-when used on a vocal Dark Essence can reduce sibilance problems by (The effect is a color with a wider frequency * Radiant is characterized by a more aggressive compression curve Plug-in is the most similar to the tape knob on HEDD-192. * Luster starts more gently than the other four processes, but becomes as aggressiveĪs Dark Essence when the process is at full scale. Running within Avid's multi-shell architecture, PHOENIX is very DSP efficient. It will run approximately twenty instances of a plug-in on a single DSP chip (an HD system running at a 44.1 kHz sample rate). PHOENIX's color is dependent on signal level, program material and sample rate. A higher sample rate results in smother sounds. The PHOENIX plug-in suite provides a wide range of choices to make your digital world sound warmer, fatter, and more alive. The plug-ins can be somewhat subtle, but the cumulative affect when used on a number of tracks can bring back the warmth and richness which only analog recording has been able to provide. Phoenix runs on all TDM Hardware: MIX, HD, Venue.Phoenix II is an update of Crane Song's suite of TDM plug-ins designed to emulate the unique properties of a magnetic tape machine. Phoenix II runs both NATIVE and DSP on Avid's PT 10 AAX format. Phoenix II uses 32 bit floating point math and has a lower noise floor than the original release.ĭesigner Dave Hill has crafted this software with the same attention to detail he used to create the electronics for ATR Service's much heralded "Aria" discrete tape recorders. His intimate knowledge of analog electronics, as well as decades of experience as a recording engineer has spawned a very useful, musical suite of plug-ins. The Phoenix II process not only incorporates the nonlinear saturation characteristics created by magnetic tape itself, but also includes the interrelation of an analog tape recorder's record/reproduce electronics and equalization curves.
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